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In his book, , published in 1890, the progressive modernist painter James Abbott McNeill Whistler, proposed that ‘Art should be independent of all claptrap – should stand alone, and appeal to the artistic sense of eye and ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like.
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Men would become as fond of their wives during the time of their pregnancy as they are now of their mares in foal, their cows in calf, their sows when they are ready to farrow; nor offer to beat or kick them (as is too frequent a practice) for fear of a miscarriage.Many other advantages might be enumerated.
Discuss both sides and give your opinion.
The implicit assumption underlying yaoi stories is that the love between males is superior to ordinary forms of love than exist between males and females. This assumption may result from young Japanese females' beliefs, both conscious and unconscious, about their male-dominated society in which many women believe that once married romance will disappear, replaced by the duties of wife, mother, and housekeeper. In thousands of ways mere male friendships, and sometimes improbable or taboo relationships--say between brothers, are transformed into romantic relationships. This ideal romantic love is never thwarted by little things such as petty jealousies. This supposed superior love, although ostensibly between males, displays distinctly feminine qualities. The characters in yaoi parodies, for example, combine delicate almost feminine physical features with physical strength. Indeed most of the males are slender, physically beautiful, fragile, sensitive, and in many instances they appear androgynous. Before yaoi emerged, female fans associated with June magazine were enamored with tanbi which implies refined aesthetic taste and an obsession for beautiful things (Sagawa, personal communication, June 6, 2002). This obsession pervades boys' love narratives. Curiously, even in the case of rape or rough sex, a gentleness characterizes many yaoi stories.
Jean-Paul Laurens’s painting, (1882; Hermitage, St.
This ‘purely visual’ characteristic of art made it an autonomous sphere of activity, completely separate from the everyday world of social and political life.
I couldn't be more pleased with the result.
The underlying assumptions at work here first of all posit that the visual artist, by virtue of special gifts, is able to express the finer things of humanity through a ‘purely visual’ understanding and mode of expression.
Keynote of the weekend's Community Supported Agriculture Symposium
Impressionism, for example, gains much of its art historical significance through its place within a scheme of stylistic development that has its roots in the preceding Realism of Courbet and Manet, and by its providing also the main impetus for the successive styles of Post-Impressionism.